Saturday, March 23, 2013

Ode to Kajupur

One of my favorites (for which my diet manages to go for a toss… I just cant stop with one) I have a sweet tooth. I admit. But some things can be definitely avoided by me. Kheer, milk chocolates, gulab jamuns, jalebis etc. No they don’t entice. They can’t. I am strong willed. But some things buckle my hard will. That’s aai’s gajar halwa (not the usual khoya laden but just so good and wholesome…maa ke haath ka halwa) Bengali sweets (especially the malai sandwiches for which my better(?) half becomes real devil and buys a lot of it) , dark chocolate (for eg: bourneville), kaju katri and malai cake and of course kaju/badam puri. All these make me salivate. But I can avoid them with a lot of effort. Except ofcourse badam/kaju puri. That will always be the nemesis of my diet plans. I have a family of bankers (a safe and steady job at that time). And best time to enjoy that was at the diwali. The reason being that both of my parents got good amount of the ‘gifts’ from the customers. It usually used to be customary dried fruits and nuts. Sometimes a bit bigger box with the cashew nuts encased in dates and of course a small parcel of badam puri.


We used to wait for ‘dada’ (as we call our dad) in the evening. But we never pounced on this/these boxes. They used to be kept well away from us till the dinner was done. We didn’t mind it that much. I guess we wouldn’t even peek even if they would have been in front of us. Somehow that would have never occurred. Guess that’s what taught us patience and relishing even the anticipation. Dinner done, we used to sit around and aai (our mother) used to get the cardboard boxes. These boxes were of cardboard and gaily colored with gift paper. They had some kind of gold embossed rose appliqués on it, which we used to later carefully remove after the boxes were discarded, for our craft. When the box opened there was still a sealing of cellophane paper, usually yellow. The contents nestled in small individual sections, which were separated by white sectioned wax paper. My eyes widened each time the box opened. Mentally wishing on some of the favorite contents inside. There were AA sweets badam, kaju and kesar toffees (not to be confused with the divine confection called as kaju vadi..now extinct ) which we found delicious then but when I tasted one recently , I found pasty. There were the red sugar coated ‘strawberries’ with hard plastic leaves.I never liked them somehow as they were too bitter and left our lips in a very weird red color. Then there was usual fare of cashewnuts, almonds, rasins, walnuts, apricots , dried fig rings etc. my preference always went for the list with last one first. I loved and still love apricots a lot (called jardalu…the encased nuts, used to be collected and broke open together and the nut gleefully eaten…I still do that…) anjeer (dried figs) and walnuts and have gradually started liking bland almonds.

My mother used to give small share of each to us to munch along. However at times the boxes held some different goodies. Sometimes it had sweets like kaju katri ( my love but can be resisted), double decker mithai or mixed mithai . At times having wax /nylon halwa and jelly like Bombay halwa,or mysorepak (not be confused with mysorepa) netted with holes and carrying full cardamom seeds at times and sometimes there were bigger dry fruit boxes (which by the way were distinct by their shape). At such times I prayed for the other delights that I enjoyed. One was cashew nuts encased in dates and wrapped like chocolates in transparent cellophane and a half cashew decorating the top , or salted pistachios and of course the pièce de résistance called ‘badam puri’.

A small parcel of circular diskettes wrapped in yellow cellophane having an emblem like golden green and red sticker. The parcel usually contained 3-4 diskettes, which would be equally distributed among sisters. I don’t know about my sister but I used to relish every single bite. The way I used to eat these is still the way I eat my favorite stuff at lunch and dinner. LAST. (once incidentally my MIL prepared an out of the world alu baingan badi…and she wondered why am I leaving the badis {small dried dumplings added to enhance taste} aside…when asked if I didn’t like them I innocently replied “ohh..no…I will eat them last”). So I used to take my small parcel of goodies. The raisins used to be finished first, followed by almonds. Leaving kaju puri right in the end. And then I used to start munching on it. A bit hard to break, these puris used to play visual, olfactory and gustatory havoc on my senses. Smelling fragrant with cardamom and saffron, they used to be a bit hard and grainy and not too sweet with cashewnuts/almond taste intact, sparingly speckled with pistachio silvers and flecks of brown, indicating well done in culinary science, a bit oily with the oil nut grease and warm roasty flavour. The puris used to get over just too soon and make me wish to have them in another box.

In due course of time aai and dada retired and the boxes of sweets stopped. We started working and had available money to buy and according to our whims. However as much as I appeared to like food, I never felt like having a particular food a lot. Except of course a properly ripe wrinkly and fragrant alphonso mango and of course kaju puri. (the later which is the only thing shared just a teeny winy bit almost grudgingly with my kiddo)

Saturday, March 2, 2013

Friends, honesty etc

I am and will always be a forgetful person. Forgetting to take ‘mobile’ what for some people is absolutely essential , forgetting umbrellas and watches :(:( so this one day I thought I took my mobile with me…but as luck would have it, I didn’t and I couldn’t think where would I have kept it. It always stayed in my bag. Since along with my forgetfulness, I had extremely soapy hands and if my iphone would break I would break. It was not a robust nokia anyways. So I searched. In the restroom and where I went to have my cuppa. A friend of mine called up on it and said it’s not reachable. “Guess you lost it” she said. I was tensed. I pinged a friend of mine.Nilasha, the gal with impish smile. “do you have the drivers number? ” this friend used to get in with me in the bus. “No but wait…shall I ask Vikram…two minutes” now Vikram was a tall bulldog. Tall bulldog since he always had a severe expression on his face. As if he never laughed. Some malicious people also said that he had airs about himself. I didn’t think that he would help out. Meanwhile I thought of another friend , called Kavita, who sits with me. She gave me a lovely firing before telling that she will find out the number and call up. Till then I opened the outlook, all the excitement of Friday had vanished. Ruefully blaming myself for the entire problem, I started typing a mail to my better (?) half (who had gifted me the phone) stating…”I guess I lost my phone”. I had not gone beyond few words when simultaneously I received pings from both my friends that my phone was found with the driver, who had answered my phone and had sweetly said that he would give it to me in the evening. A friend of mine suggested that I should gift him something. “yes I should” I typed, more than anything for his honesty. It was rare to find such people.

That evening I gave a token to every friend who helped me through this. I thought of gifting Vikram also something like others, but didn’t want him to be awkward. Incidentally Vikram was also in the bus. Throughout the journey I debated to thank him or not. Finally as if deciding, I took a deep breath, and turned to thank him. “Are you Vikram by some chance?” this seemed to be a nice way of starting the conversation. He nodded “thanks for your help…it really helped me to locate the phone” he gave a broad smile. I saw how the smile illuminated his face. It brought a smile automatically on my face. I was happy that whatever prejudice I had against him faded quickly. Yes I was happy that my talkativeness which I usually think as my vice, paid off, I had found some of the good friends. It also taught me that only because someone is serious or non talkative does not mean that he/she is a snob and main…that honesty existed in this world.

About the driver. Yes he almost embarrassingly took the fruit and nut I gave him, and equally awkwardly accepted my thanks. For him I reserve my special thanks. Without your honesty I don’t think so I would have got my phone back. In fact it’s your honesty that restored my faith on the world that all is not lost and that few honest people do exist. It saved me..From being a cynic. Needless to say, my Friday ended very well.

The last one

Now I am wondering about the coincidence. I was going to write about the song called “ja re jare ud ja panchi..” from the film Maaya, sung by none other than our Lata  , and simultaneously other sweet song which I heard always on vividhbharti in the morning slot hummed in my head, and the humming was just so much that I had to write about it and get over with it. This song used to usually be towards the end of the vividhbharti ‘playlist’ , when I used to finish a wholesome breakfast and lingering over the tea, before leaving to catch an early train for the 7.50 lecture at Ruparel. (See I have already started to digress )

Hare rama (my cuss word ) I am going to start writing about movies and food next please...sab kuch aa jata hai usme, grating , desiccating or dissecting a song just becomes too much after a while, as no adjectives are perfect enough and the amount of adjectives are complete enough to describe the song. But this song had to be there before I moved on. So I googled this song (as usual) and I found out...wow, this song is from the same movie. Its called “aye dil kahan teri manzil” sung by dwijen mukherji (the voice errily sounded like Hemant kumar), the voice that could have been mistaken for Hemant kumar but yes definitely a bit more finer .The music for this movie was given by Salil Choudhary and song written by Majrooh Sultanpuri. This song is simple, its mature, its what life is decribed all about. I liked the chorus especially ‘ai dil kahan teri manzil...’. the chorus too acts like a filler in between the pauses. The music not too loud but complimenting the song to the right degree. The song itself is sung on high note and only a golden era singer can perform the feat , if it would have been today, first and foremost such a music would not have been created and even if it would be, we would have had two singers sharing the space. No I have nothing against todays music, but yes I would definitely like to say that if we forget todays most songs that easily...and rarely those of earlier generation...what does that indicate...nopes I am not the right person to judge, mainly since I remember a songs once heard, together with film, and at times story of the movie (again digressing). This song for me seems like a rhetorical question , wondering about fickleness of life and kicks and licks life gives us. A wondering of why a thing happens, incomprehensibility and confusion.

ai dil kahaan teri manzil

naa koyi deepak hai naa koyi taaraa hai

gum hai zameen door aasmaan

ai dil kahaan teri manzil

naa koyi deepak hai naa koyi taaraa hai

gum hai zameen door aasmaan

ai dil kahaan teri manzil

kis liye mil mil ke dil tootate hain

kis liye ban ban mahal tootate hain

kis liye dil tootate hain

ho kis liye mil mil ke dil tootate hain

kis liye ban ban mahal tootate hain

kis liye dil tootate hain

patthar se poochhaa sheeshe se poochhaa

Khaamosh hai ye sab ki zabaan

ai dil kahaan teri manzil

dhal gaye naadaan wo aanchal ke saaye

rah gaye raste mein apne paraaye

rah gaye apne paraaye

ho dhal gaye naadaan wo aanchal ke saaye

rah gaye raste mein apne paraaye

rah gaye apne paraaye

aanchal bhi chhoota saathi bhi chootaa

na hamsafar na caarwaan

ai dil kahaan teri manzil

naa koyi deepak hai naa koyi taaraa hai

gum hai zameen door aasmaan

ai dil kahaan teri manzil

naa koyi deepak hai naa koyi taaraa hai

gum hai zameen door aasmaan

ai dil kahaan teri manzil

The next song is of course sung by our dear ol Lata Mangeshkar called”Jaa re jaa re ud jaa re panchchi” This song talks about disappointments in love, definitely not a rhetorical question like the ‘aye dil..’ but one that explains why love was not fruitful, of wondering why al dreams crashed but the pain is still lingering.

jaa re, jaa re ud jaa re panchhi

bahaaron ke des jaa re

yahaan kyaa hai mere pyaare

kyun ujad gayi bagiyaa mere man ki

jaa re, jaa re ud jaa re panchhi

bahaaron ke des jaa re

yahaan kyaa hai mere pyaare

kyun ujad gayi bagiyaa mere man ki

jaa re

naa daali rahi naa kali

ajab gham ki aandhi chali

udi dukh ki dhool raahon mein

naa daali rahi naa kali

ajab gham ki aandhi chali

udi dukh ki dhool raahon mein

jaa re ye gali hai birhan ki

bahaaron ke des jaa re

yahaan kyaa hai mere pyaare

kyun ujad gayi bagiyaa mere man ki

jaa re

main veenaa uthaa naa saki

tere sang gaa naa saki

dhale mere geet aahon mein

main veenaa uthaa naa saki

tere sang gaa naa saki

dhale mere geet aahon mein

jaa re ye gali hai ansuwan ki

wahaan roke dekh jaa re

yahaan kyaa hai mere pyaare

kyun ujad gayi bagiyaa mere man ki

jaa re, jaa re ud jaa re panchhi

bahaaron ke des jaa re

yahaan kyaa hai mere pyaare

kyun ujad gayi bagiyaa mere man ki

jaa re

This song was first heard by me on ‘masti’ and never failed to marvel me with the simplicity and complexity of the same voice called Lata Mageshkar. Seemingly simple singing but one that will actually make to search from breaths, especially the start...with “jaa re” and the next “jare jare panchi..” a different mix of sudden slow and sudden fast, the highs and lows of the song strangely in line but no flat lines...wow...



'Tum pukaaaaaaaaaaaar lo'

“naa tum hume jaano”, “yaad kiya dil ne kahan ho tum”, “pukaar lo” and many such songs. A sleepy voice, a bit of bangla feel to the hindi but yes, definitely a voice tres unique. That how I thought Hemant kumar’s voice was. Lazy lilting melodies but yes oh so painful at times, these songs tinkle like small bells in my so small brain and make me write about them. These and many such songs fill up my memory lane, like small buttercups along the way. My first love among these is definitely “pukaar lo” from Khamoshi (not the musical ) where my all time favorite has sung one of the best songs called “wo shaam”...but that has to be another blog... A totally ouch song, “pukaar lo” brings out that unspoken feeling, of hoping for something and compromising on what seeming. The other two songs, when I was younger I got confused with, but both of them classy in their way and guess what both of them picturised on Dev anand. One from patita (yaad kiya dil ne; music by shankar jaikishan) and another (na tum hume jaano) from baat ek raat ki (music by S.D burman and written by Majrooh Sultanpuri). The last song I will again add at the last moment cramming is “aye dil” from bluffmaster (the old one again), this has an amazingly thin Shammi kapoor emoting pain personified from the bottom of his heart.


I absolutely have to write about something else...the songs are rapidly biting into my already limited brain 

Another singer not that well known but close to heart 4

I am tempted and I eventually gave in...one last song by Talat Mehmood, that feels like aged wine...that sounds cliché and hec...I don’t drink, but yes...it does sound good. The song and the lyrics are just so heady that you don’t seem to get enough of them the song is “jaaye to jaaye kahan” from the film Taxi driver. The song is hurting and Devanad looks just so good in his pensive best. Not the usual antics and dances, his face completely singing the song which he is actually not singing. With the Mumbai sea in the background, then not that populated Mumbai...seems just so hard to believe.



Jaayen to jaayen kahaan?

Samjhegaa kaun yahaan dard bhare dil ki zubaan?

Mayuusiion kaa majamaa hain jee mein

Kya reh gayaa hai is zindagi mein Ruuh mein gham, dil mein dhuuaan Unka bhi gham hai, apna bhi gham hai

Ab dil ke bachne kii ummiid kam hai

Ek kashtii, sau tuufaan Jaayen to jaayen kahaan?

Samjhegaa kaun yahaan dard bhare dil ki zubaan?


Songs done...back to work, with these songs doing a mental replay in my mind...somehow I dont feel like using my mp3 to listen to ‘chor bazaari’ today.



Another singer not that well known but close to heart 3

Lastly this one song from Patita which has quite a few of other gems, this one holds good. It has a lovely meaning and ofcourse one of the best. Music given by Shankar Jaikishan, its definitely a must hear. As I think of this song, a similar lyrics song called “dekh tere..” from Naastik is trying to make an entry...but definitely not here...I am in process of documenting these songs. This song for me definitely has that ‘ouch’ in it, a lovely combination, that truely makes you feel the emotions that it wants you to feel.




andhe jahaan ke andhe raaste, jaayen to jaayen kahaan

andhe jahaan ke andhe raaste, jaayen to jaayen kahaan

duniyaa to duniyaa, tu bhi paraayaa, ham yahaan naa wahaan

duniyaa to duniyaa, tu bhi paraayaa, ham yahaan naa wahaan

jeene ki chaahat nahin, mar ke bhi raahat nahin

jeene ki chaahat nahin, mar ke bhi raahat nahin

is paar aansoo, us paar aahen, dil meraa bezubaan

is paar aansoo, us paar aahen, dil meraa bezubaan

andhe jahaan ke andhe raaste, jaayen to jaayen kahaan

ham ko na koyi bulaaye, naa koyi palken bichhaaye

ham ko na koyi bulaaye, naa koyi palken bichhaaye

ai gham ke maaron, manzil wahin hai, dam ye toote jahaan

ai gham ke maaron, manzil wahin hai, dam ye toote jahaan

andhe jahaan ke andhe raaste, jaayen to jaayen kahaan

aaghaaz ke din teraa anjaam tay ho chukaa

aaghaaz ke din teraa anjaam tay ho chukaa

jalte rahen hain, jalte rahenge, ye zameen aasmaan

jalte rahen hain, jalte rahenge, ye zameen aasmaan

andhe jahaan ke andhe raaste, jaayen to jaayen kahaan

duniyaa to duniyaa, tu bhi paraayaa, ham yahaan naa wahaan

andhe jahaan ke andhe raaste, jaayen to jaayen kahaan



Another singer not that wellknown but close to heart 2

Now another song holds a closer space, that is “aye mere dil tu kahin aur chal” from the film Daag. The picturization has Dilip kumar tipsy over alcohol and singing this song. Seemingly pleasantly drunk, its only the song lyrics that deceive the person’s inner anguish, of bieng disgusted with the current world and an impossible wish of bieng elsewhere. This is what I liked about the song. Again the lyrics are plain, so is the song, but the way it is sung is simply great, with amazing music given by Shankar Jaikishan adorning an already beautiful piece.




Ai mere dil kahin aur chal

gham ki duniya se dil bhar gaya

dhoondh le ab koi ghar nayaa

ai mere dil kahin aur chal

gham ki duniya se dil bhar gaya

dhoondh le ab koi ghar nayaa

ai mere dil kahin aur chal

chal jahaan gham ke maare na hon

jhoothi aashaa ke taare na hon

chal jahaan gham ke maare na hon

jhoothi aashaa ke taare na hon

jhoothi aashaa ke taare na hon

in bahaaron se kya faayda

jis mein dil ki kali jal gayi

jakhm phir se haraa ho gaya

ai mere dil kahin aur chal
chaar aaansoo koi ro liya
pher ke munh koi chal diya

chaar aaansoo koi ro liya

pher ke munh koi chal diya
pher ke munh koi chal diya
lut raha thha kisi ka jahaan
dekhti rah gayi ye zameen
chup raha beraham aasmaan
ai mere dil kahin aur chal
gham ki duniya se dil bhar gaya

dhoondh le ab koi ghar nayaa
ai mere dil kahin aur chal

Another singer not that well known but close to heart 1

Another singer that holds my heart , one who is always in memory is Talat mehmood. I could loose my self in his songs, especially since it had soft lilting quality, a shivering voice, and soft indeed. I can never forget the Sundays when we had a rerun and a rerun of his songs. What with “andhe jahaan ke andhe raaste” from Patita (which incidently has some other amazing songs, but that will come a bit later) and aye mere dil kahin aur chal from daag (old of old one…of Dilip kumar). I liked Talat mehmood’s voice for various reasons. It had a kind of silken quality , a sort of tremor in the voice and a voice that emoted the words sung (a quality that all the singers of that era had but which is a bit rare in today’s singers…an Indian idol does not make a singer). His voice neither had that sweet classical feel or the wild but adorable feel but yes..it was different. A really not that acknowledged singer, he was unique in his own right. A usually night time voice, a voice that will make you sleep or bring that queasiness in the heart which happens when a song particularly touches the heart. That unexplainable fullness.


I liked ‘tasveer banata hoon’ because of the soft and mellow quality that the song had . The lyrics are simple and the music is soft. The combination has made an amazing result. The song is from the movie “baradari” (not heard) and the song lyrics are given by Khumar Barabankwi and guess what we also had a ‘Nashaad’ at that time and not to be confused with Naushaad as the music director.

tasweer banaataa hoon tasweer nahin banti, tasweer nahin banti

tasweer banaataa hoon tasweer nahin banti, tasweer nahin banti

ek khwaab saa dekhaa hai, taabeer nahin banti, tasweer nahin banti

tasweer banaataa hoon tasweer nahin banti, tasweer nahin banti

bedard muhabbat ka, itnaa saa hai afsaanaa

bedard muhabbat ka, itnaa saa hai afsaanaa

nazron se mili nazren, main ho gayaa deewaanaa

ab dil ke bahalne ki, tadbeer nahin banti, tasweer nahin banti

tasweer banaataa hoon tasweer nahin banti, tasweer nahin banti

dam bhar ke liye meri, duniya mein chale aao

dam bhar ke liye meri, duniya mein chale aao

tarsi huyi aankhon ko, phir shakl dikhaa jaao

mujhse to meri bigdi, taqdeer nahin banti, tasweer nahin banti

tasweer banaataa hoon tasweer nahin banti, tasweer nahin banti

tasweer banaataa hoon


Some more- part 2

On the contrary ‘humare dil se’ sung by Lata Mangeshkar is the point of subtleness. In terms of music, the lyrics and voice. The song is in low tone throughout and the lyrics have a hint stating to be aware. Nimmi is singing with that musical instrument ‘dilruba’ or ‘ roobab’. Dilip kumar is sitting and listening to the song with the ‘ vamp’ like character who plays the queen/princess in the movie. Not much is remembered about the movie, which is from the b/w era but yes, this song is softly beautiful with not many highs and lows and complicated techniques. We will never cease to be amazed that how can a single musician weave such an intricate pattern in the movie with his songs, with bright shades of one and suble net of another…its truly ‘magnifique’


hamaare dil se na jaana

dhokha na khaana

duniyaa badi be-imaan

ho piyaa

duniyaa badi be-imaan

hamaare dil se na jaana

dhoka na khaana

duniyaa badi be-imaan

hamaare

main hoon ji pyaar ki pehli nishaani

main hoon ji pyaar ki pehli nishaani

aankhon se aaj kahoon dil ki kahaani

aankhon se aaj kahoon dil ki kahaani

ho ooooo

sun lo ji painyyan padoon

hoo oooo

dekho ji binti karoon

dekho ji binti karoon

ho ooo

umar bhar laaj nibhaana

dil na dukhaana

balmaa kahaa meraa maan

ho piyaa

duniyaa badi be-imaan

hamaare dil se na jaana

dhokha na khaana

duniyaa badi be-imaan

hamaare

meetthe do bol yehaan mushkil hai bolnaa

meetthe do bol yehaan mushkil hai bolnaa

duniyaa se bhed kabhi man ke na kholnaa

duniyaa se bhed kabhi man ke na kholnaa

ho oooo

jhoothi hai preet yehaan

ho ooooo

koyee na meet yehaan

koyee na meet yehaan

ho ooooo

buraa hai aaj zamaana

toote jiyaa na

uljhan mein hain meri jaan

ho piyaa

duniyaa badi be-imaan

hamaare dil se na jaana

dhokha na khaana

duniyaa badi be-imaan

hamaare

Some more- part 1

Now that I am in a mood for such songs, I just wished to continue. Another two of the songs which I really liked are from the movie “udan khatola”. This cassette (yes the bygone era) belonged to my father and had some of the best songs. The two songs that stole my heart however were ‘o door ke musafir’ emoted by Mohd. Rafi and ‘humare dil se na jaana’ by Lata mangeshkar,written by Shakeel Badayuni, and made melodious by the maestro Naushad, these songs never fail to evoke flutter in my heart.


O door key musafir rightly compliments the highs and lows of Mohd. Rafi’s voice, the depth of the voice, and the voice that compliments the pain of lyrics aptly. The music filled the pauses rightly and at right places. Not too much of it, being subtly low when the song flows and the music at its crescendo in the pockets of pauses. The voice of mohd. Rafi rises and falls, with the chorus just complimenting the song. The right mix where a song is not strangled by excess music, this was one song that always evoked goosebumps 

chale aj tum jahaan se

huyi zindagi paraayi

tumhe mil gaya thikaana

hamen maut bhi naa aayi

O door ke musaafir

hamko bhi saath lele re

hamko bhi sath le le

ham rah gaye akele

O door ke musaafir

hamko bhi saath lele re

hamko bhi sath le le

toone wo de diya gham

be maut mar gaye ham

dil uth gaya jahaan se

le chal hamen yahaan se

le chal hamen yahaan se

kis kaam ki ye duniya

jo zindagi se khele re

hamko bhi saath lele

ham rah gaye akele

o door ke musafir

hamko bhi saath lele re

ham ko bhi saath lele

ham rah gaye akele

sooni hai dil ki raahen

khaamosh hain nigaahein

naakaam hasraton ka uthne ko hai janaaza

uthne ko hai janaaza

chaaron taraf lage hain

barbaadiyon ke mele re

hamko bhi saath lele

ham rah gaye akele

o door ke musafir

hamko bhi saath lele re

ham ko bhi saath lele

ham rah gaye akele

o door ke musafir

ham ko bhi saath lele

ham rah gaye akele

Haste Zakhm

To talk about this movie…please I am not the right person to say as I have not seen the movie. Though I have read the story on Wikipedia, sounds good, but with my mother who HATES Priya rajwansh the heroine of the movie to the gills (ali purshi: or here comes the man is what she says) I don’t think so I will. Personally I don’t like her much my self, as she has emotionless face and with the hero being navin nischol, I guess seeing the movie will only give me heartburn, even if Balraj sahani is one of the other important characters of the movie. But yes, songs wise, the movie is loaded and I should keep that in CAPS, since there are songs that absolutely steal your heart away. Though I have heard all but one songs, I could go on and on discussing about all of them.

Music by Madan Mohan and lyrics artfully penned by Kaifi azmi. There is a qwali sung by mohd rafi called Yeh ”Maana Meri Jaan, Mohabbat Saja Hai", then there is a gem sung by Lata Mangeshkar "Betaab Dil Ki Tamanna Yehi Hai" (I absolutely like this one) "Tum Jo Mil Gaye Ho, To Yeh Lagta Hai, Ke Jahaan Mil Gaya" by Mohammed Rafi, Lata Mangeshkar (duet) and "Aaj Socha Toh Aansu Bhar Aaye" by Lata Mangeshkar. All of these frequent ‘Masti’ channel.

The two songs which however hold my heart more than the others are "Tum Jo Mil Gaye Ho, To Yeh Lagta Hai, Ke Jahaan Mil Gaya", a song which starts from slow lilting melody to slowly reaching the crescendo by fast and thumping beats. The other song “aaj socha..” is more sad song that hurts the heart, that is made absolutely classic by Lata mangeshkar. It haunts for a long time later. mentally replaying in the mind.

Blame it on age factor maybe but I am also developing interest in more classical songs in popular media and singers considered as classics. Though Kishore kumar still holds major portion of my heart  :) with his ye dil na hota bechaara…

Au soleil

I studied for a real long time for my bread and butter, along with the bread and butter, trying to learn tricks of trade with limited means in office (as there were few or rather nil translators when I joined, that part of job was subcontracted or freelanced) and with courses that enhanced my French. At that time with a ‘jhola’ having my usual stuff, I trudged almost bi monthly to alliance francaise de Bombay, getting my hands on much as I can on grammer related books, some easy reads and of course CDs. When I got these CDs and copied the songs on my system in the office and happily spent my time musically translating. (Which I still do at times). I had heard first time “I drove all night” of Celine dion using the skull phones (the ones that covered your ear completely minusing the outside noise and letting you drown in music). One fine day I saw a CD. It had a lady frolicking in sea , the face was not that visible but I remember her in white and a chain with blade hanging in her neck. I just remembered that the CD had ‘jenifer’ written on it. The songs were amazing, (the sing along kinds) with lovely beats and the singer good, even to my limited knowledge in French, I could appreciate the words. In course due course of time, the CD absolutely had to be returned and the system resubmitted with my manager maliciously stating that the data couldn’t be transferred ( I didn’t know that a datatemp existed at that time or that data transfer facility is available). Some songs left the hard drive of the brain and others stayed in bits and pieces. The CD was later never available in the alliance française whenever I visited. The singer’s name got formatted but the cover remained in the head along with almost forgotten the songs that didn’t leave my brain. Then slowly as I became more technosavvy and started (ab)using Wikipedia and google, I searched high and low , I used combinations like french singers (huge collection) French lady/female singers (confusing), I searched high and low with jennie alpha, jane birkin and Vanessa paradis. By now I had forgotten the exact name of the singer, and though I thought I knew her name was jenifer, it got me confused with all others. Then one fine day a small part of the song got enlivened like a live wire in my head “au soleil (to the sun)”, I searched on google and I found a song in that name !! my excitement knew no bounds as I clicked on youtube… I had found the singer finally. I used Wikipedia successfully at that time and went to music album section, and there she was lady in white shirt and blue jeans, frolicking in water, sunny climate and of course the chain with blade pendant adorned her. Excitedly I clicked on another of her songs, which I had liked at that time “j’attends l’amour (I wait for love)”, je garde (I save/ I treasure), les choses communs (the common things).. Yes I had found the pearls again.

Trivia : Jenifer Bartoli aka Jenifer is a pop singer who has, since 2002, had a number of hit singles in the French, Belgium and Swiss charts. She gained fame through her participation on the French television show Star Academy France (something like sa re ga ma pa in India)






Ye dil ko lek kahan jaye re baba


This song came and went fleetingly in my memory. I just remembered that this song was from the movie ‘do badan’ and sung by mohd. Rafi. Now mohd. Rafi had sung three songs in the movie and was a bit confusing. I just remembered that Manoj Kumar in white suit,was sitting on the piano, singing the song with Asha Parekh, the heroine in the background. Then that day the song replayed on ‘masti’ channel and it clicked. Of course that’s the one. Sad, the song perfectly renders the state of one’s broken heart, of loneliness in the crowd, but this song even if melancholic, somehow is very melodious to hear. And very much like sing along types. Made in the era where music enhanced the voice and not drowning it, subtly cueing the emotions emoted by equally talented singers, that felt as if they felt what they sung, It keeps replaying and humming in the background long after heard. Made absolutely out of the world by mohd rafi, the lyrics too hold due credit and though this movie was not that noticeable, the songs were definitely gems. Written by Shakeel Badayuni and music by Ravi ,this song soon made it self at home with the ever bursting list of favorite songs along with ‘lo aa gai’ by Lata Mangeshkar from the same movie.

The lyrics are as follows:
Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen


Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen

Mohabbat ho gayi jinko, wo deewaane kahaan jaayen

Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen

Bhari duniya

Lagey hai shamma par pehrey, zamaane ki nigaahon ke

Lagey hai shamma par pehrey, zamaane ki nigaahon ke

Zamaane ki nigaahon ke

Jinhen jalne ki hasrat hai

Jinhen jalne ki hasrat hai, wo parwaane kahaan jaayen

Mohabbat ho gayi jinko, wo deewaane kahaan jaayen

Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen

Bhari duniya

Sunaana bhi jinhen mushqil, chhupaana bhi jinhen mushqil

Sunaana bhi jinhen mushqil, chhupaana bhi jinhen mushqil

Chhupaana bhi jinhen mushqil

Zaraa tu hi bataa aye dil

Zaraa tu hi bataa aye dil, wo afsaane kahaan jaayen

Mohabbat ho gayi jinko, wo deewaane kahaan jaayen

Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen

Bhari duniya

Nazar mein uljhanen dil mein, hai aalam beqaraari ka

Nazar mein uljhanen dil mein, hai aalam beqaraari ka

Hai aalam beqaraari ka

Samajh mein kuchh nahin aataa

Samajh mein kuchh nahin aataa, sukoon paane kahaan jaayen

Mohabbat ho gayi jinko, wo deewaane kahaan jaayen

Bhari duniya mein aakhir dil ko samjhaane kahaan jaayen
Bhari duniya



Sunday, February 24, 2013

Que sera sera

Long long ago when I was in college, ok I am not that old but now a days it does with Mp3s and downloadable versions, since in our dear ol days we were still listening to songs on cassettes. We couldn’t imagine an mp3 though ‘soft songs’ (napster) was known and I used to think a friend of mine lucky with a computer (a luxury at that time…we had one much much later…when I had already graduated and doing my PG) and a fast internet. I used to still rely on ol cassettes and used to collect my whole pocket money (for a 200 rs per month pocket money...money set aside apart from a quarterly railway pass…I was not a foodie and nor were my friends and we didn’t get embarrassed to carry a ‘dabba’…yes life was much humbler then) for a bi annual splurge on cassettes and books. Books though were always yellowed with use (I took second hands wherever and whenever I could find them), the cassettes were new (I had less option otherwise) and I found some real good ones. There was a “Mariah Carey: day dream”, a Richard Clayderman and some more. Now for one of such splurges at rhythm house (planet M didn’t exist then, it came in much later), bag already heavy with yellowed and dog eared books which included a bit or two of “M n Bs”, I saw this cassette labeled “down and by the memory lane”, I picked it up and saw the price. 125 rs (a paltry sum now), and don’t know why but got it, though the songs were unknown to me then. There were some gems in store for me. And some of these songs minus the accent helped me later to teach people English when I was teaching in classes. Some of them were “Que sera sera” by Doris day and “how much is that doggie in the window” by Patty page and “leaving on a jet plane” by John Denver. I still have the cassette somewhere (I hope so) along with its other companions who are almost forgotten due to lack of tape recorder and advent of digital gadgets like mp3s. what is however not faded are some aspects that I learnt, of beautifying my own life even if it is minus a lot of “must haves” of being happy with myself and creating a world where I could lose myself. (Music and books together always made me go in some kind of black hole from where even my better (?) half couldn’t dig me out…my normal chattery self would just be a hmmm…ah-ha…ok) and of course appreciate any kind of music and books

Birmingham Jail aka…down in the valley

Now this was one song which I was always told to sing in our “free period” in the school. Not that I was an ‘Anuradha Paudwal’ in singing, but just maybe timepass, but yes, I did pride myself in knowing by heart this song. This song came hand in hand with “una..” and begged to be searched. I searched for both song and lyrics and was surprised to know that I didn’t know the whole song, just a portion, maybe the lyrics later couldn’t be taught to the crazy gals studying in 1st standard.

Here is the song (the italics are the part taught to us…):

Down in the valley, the valley so low

Hang your head over, hear the wind blow

Hear the wind blow, dear, hear the wind blow;

Hang your head over, hear the wind blow.

Roses love sunshine, violets love dew,

Angels in Heaven know I love you,

Know I love you, dear, know I love you,

Angels in Heaven know I love you.

Build me a castle, forty feet high;

So I can see her as she rides by,

As she rides by, dear, as she rides by,

So I can see her as she rides by.

"If you don't love me, love whom you please,"

"Throw your arms round me, give my heart ease,"

"Give my heart ease, dear, give my heart ease,"

"Throw your arms round me, give my heart ease,"

Write me a letter, send it by mail;

Send it in care of the Birmingham jail,

Birmingham jail, dear, Birmingham jail,

Send it in care of the Birmingham jail.

Roses love sunshine, violets love dew,

Angels in Heaven know I love you,

Know I love you, dear, know I love you,

Angels in Heaven know I love you.

Again some trivia: ‘"Down in the Valley", also known as "Birmingham Jail", is a traditional American folk song. It has been recorded by many artists, and is included in the Songs of Expanding America recordings in the Burl Ives six-album set Historical America in Song.’

My Monday mind is humming down in the valley.....

Una paloma blanca…

I was on way to my Sunday morning sessions. In the rickshaw, a bit biting sudden cold wave, I remembered this song from the deep recesses of the memory, a song not forgotten but which like an old photograph yellowed and dusty. I flicked the dust off it, humming and trying to put back pieces of the songs together, humming where I couldn’t fill in the gaps but coming back to them and filling them. I was amazed that I could remember it still. “Una paloma balanca” I typed a text to my better (?) half. But I guess till now he has not downloaded the song. Since Monday morning my mind is surfing. I searched on toddler tantrums and a bit on statistics concepts and then I remembered. I put the words in search engine and voila…so many results. I got the lyrics and I hope so song. I remembered when I was a bit long legged boy cut first standard gal, with brown chequered uniform in an all girls convent school, where the only male teachers we had was a music teacher (I now don’t remember his name, except a sir) and a chemistry lab ‘sir’. This music sir used to come once a week, with his acoustic guitar (I wonder if that was a Hobner) and who knew I would learn how to play one fine day…hell I am digressing again. So this ‘sir’ used to come once a week, with a guitar, a tall, thin, beardy fellow with spectacles, who spoke less in a class full of clacking chickens, who didn’t sing, but just shouted…And a few songs he taught us, this was one of them, the music notebook is definitely recycled by now, but the song still stayed…only to come to surface today. I am yet to hear the original; I hope to get a downloadable version soon.

When the sun shines on the mountain

And the night is on the run

It's a new day

It's a new way

And I fly up to the sun



I can feel the morning sunlight

I can smell the new-mown hay

I can hear God's voice is calling

For my golden sky light way



Una paloma blanca

I'm just a bird in the sky

Una paloma blanca

Over the mountains I fly

No one can take my freedom away



Once I had my share of losing

for they locked me on a chain

Yes they tried to break my power

oh I still can feel the pain



Una paloma blanca

I'm just a bird in the sky

Una paloma blanca

Over the mountains I fly

No one can take my freedom away

Now for some trivia (thanks to Wikipedia)’ Paloma Blanca, often called Una Paloma Blanca, is the title of a song written by the Dutch musician George Baker and first recorded by his band The George Baker Selection. The single was a hit throughout Europe, and was taken from the group's fifth album of the same name.”p.s paloma blanca or una paloma blanca is Spanish for a white dove”’